Last night I went to see Washington National Opera’s production of The Maid of Orleans by Tchaikovsky, with Mirella Freni in the lead as Joan of Arc. I knew basically nothing about this opera beforehand, but I decided I didn’t want to pass up a chance to see Mirella Freni, one of the greats of the old school. She turned 70 earlier this year (70!), but man, she still has that gorgeous voice. Though traditional casting might deem her too old for the role (opera casting is anything but traditional), I thought she sang it beautifully.
Three words to describe the set design: fabric, fabric, fabric. Acres of it, I’d say. Many scene transitions used scrims that dropped billowing from the flies, and then rather than being later raised back into place, were instead let loose to the ground and taken offstage by some bit of stage business. The effect of the fabric falling into place and then cut loose was great, but they went through so many of those that it finally felt a bit gimmicky.
Overall it was an enjoyable performance, and I definitely want to listen to more Tchai-“not just Swan Lake and Nutcracker“-kovsky now, like Eugene Onegin. (By the way, for you fans of the movie adaptation of The Talented Mr. Ripley, Eugene Onegin is the opera that Tom goes to see with Meredith in Rome.)