Rufus Wainwright’s creativity continues to amaze me. On Sunday we saw the the Stephen Petronio Company perform a selection of dance pieces at the Yerba Buena Center for the Arts in San Francisco, which we were especially excited to see since Rufus was involved in a couple of them. I like to say I knew Rufus when, back when a bunch of us followed his tour to venues big and small, and it’s been great to see him on the rise and branching out into all sorts of projects.
For Bloom, he composed music for selected poems of Walt Whitman and Emily Dickinson, along with “Lux aeterna” from the Latin Mass; the music is mostly Rufus’s recorded overdubbed voice, and also calls for live choral accompaniment. The performance we saw included the participation of the San Francisco Girls Chorus, who sang from the box seats. Bud Suite is set to four Rufus songs (“Oh What a World,” “Vibrate,” “This Love Affair,” and “Agnus Dei”).
All of the pieces were really great (the dancing is energetic, and made me experience Rufus’s music in a new way, as did Matthew Neenan’s suite 11:11 a few years ago). I think my favorite is the final part of Bloom, a bright and lovely burst of antiphony set to Dickinson’s “Hope is the thing with feathers”:
Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.I’ve heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.
Here is a WNYC recording of it with Rufus and the Young People’s Chorus of New York City: